3/8/2024 0 Comments Wildstyle graffitiI assume you’re referring to the train rolling by. How were you able to represent the styles of your peers and friends so well? Joey Ahlbum created a beat chart according to the soundtrack, and we worked from that. The live footage already existed, so we modeled the animation to dissolve smoothly into that. So when did you create the titles? Was the footage already shot? Wild Style film materials, including opening title animation cel frames, on display for MOCA’s “Art in the Streets” exhibit in 2011. It’s weird to be talking about this now! It seems like a million years ago… I would say that the different lettering forms were guided by Charlie, but they are definitely Zephyr-style. Maybe that sounds like a contradiction, but graffiti writers will always recognize my stuff immediately. There is a generic quality to my graffiti, but there is also something very distinct about it. The graffiti styles used for the words “Pop,” “Rap,” and “Break” were all variations of things I was doing on walls and trains at the time. What was this like for you? How did you develop and mix the various styles – the "Wild Style" morphing, the styles for "Pop," "Rap," and "Break"? He wanted to bring “black book” drawings to life. He had very specific ideas about everything in the film, and was closely involved in developing the aesthetic of the art in the opening sequence. A writer’s sketchbook is carefully guarded as it can be used as evidence in a graffiti vandalism case and link a writer to previous illicit works.Ĭharlie Ahearn had that vision. It is a writer's most valuable property, containing all or a majority of the person's sketches and pieces. It is often used to sketch out and plan potential graffiti, and to collect tags from other writers. How did the idea of animating the graffiti come about? Are there other examples from the era that inspired you?Ī black book or "piece book" is a graffiti artist's sketchbook. The Wild Style animation project was my introduction, although I used to make flip books. Were you involved with animation before Wild Style? Zephyr painting a train in New York, mid-1990s The sequence is a celebration of graff writers and the subcultures they travel in, everyone riding the Wild Style train conducted by Charlie Ahearn.īased in New York City, graffiti writer ZEPHYR looks back on his work for the Wild Style title sequence. The opening title animation features key art by Zephyr, one of the legendary pioneers of graffiti in the late 1970s and who appears in Wild Style as Z-Roc, essentially a version of himself. The piece became the basis for a number of the film's cornerstone materials: it was the basis for the film's logo, designed by Tracy 168, founder of the Wild Style Crew it was painted as a mural by Zephyr, Revolt, and Sharp in 1983 and it was the inspiration for the main titles. Ahearn hired graffiti writer DONDI to paint the window-down subway car piece that appears early in the film. In the summer of 1980, director Charlie Ahearn and hip-hop pioneer Fab 5 Freddy brought them all together when they began working on the film that was to become Wild Style. Here are the greats becoming great: writers Lee, Zephyr, and Lady Pink, dancers Crazy Legs and the Rock Steady Crew, turntablists Grandmaster Flash and the Cold Crush Bros., MCs Double Trouble and Rammellzee, and many more. With the artist's literal descent over his own work, Lee Quiñones launches one of the great historical documents of street art and hip-hop: 1983's Wild Style.
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